other work

Guess who's coming to dinner (or the last supper). Alma Leiva. February 2019. Elsewhere Museum, greensboro, NC. Video documentation of curated dinner in collaboration with Jennida Chase and Hassan Pitts. 9 min 2 secs. Inkjet prints, embroidery, and poetry on museum collection fabric; ongoing collection of stories. 264” x 138” in. Live music performance in collaboration with Joshua Marquez.

Embroidery process

QR code detail.

Embroidery process

1/3

Interactive Greensboro, NC. Map image.2019.

Guess who’s coming to dinner (or the last supper) is a research-based interdisciplinary project that includes interactive, performance, and sensory elements. Inspired by Leiva’s grandmother who worked in a Florida tomato field in the 1980’s, this project is a response to the rising deportations of food industry workers in North Carolina. The project activates Elsewhere’s dining space through a tablecloth, web platform, poetry, a dinner event, and experimental sound performance. Guess Who encourages awareness about migration and labor through personal stories, pertinent statistics, and poetry that humanize this vulnerable demographic.

Through public engagement, Leiva facilitates a platform to bring this difficult conversation to the “table:” A concept she recalls in the title after Stanley Kramer’s 1967 film. Also recalling the table in Leonardo Da Vinci’s Last Supper painting, the project includes a hand-made tablecloth that pairs traditional “women crafts,” or the embroidery using inherited thread, with QR code technology. In the center, a printed, embroidered Greensboro map that resembles a living organism offers interactivity that takes participants to relevant information. On both ends, the tablecloth presents a split North Carolina state map with a poem by Leiva (translated by Walter Krochmal), dedicated to the workers in Spanish and English. In collaboration with local immigrant organization FaithAction, Leiva expands the conversation beyond the event’s inauguration by incorporating an expanding web platform that continuously features regional migrant workers’ personal stories.

In order to encourage engagement and critical thought, the artist served dishes during her opening exhibition using locally grown produce in collaboration with local artist Jennida Chase and videographer Hassan Pitts. The resulting food stains on the tablecloth become a growing archive of use. To add another layer, a responsive live experimental sound performance by composer Joshua Marquez played throughout the project’s inauguration. As a take-away memento, the artist handed custom printed napkins to the public.

ALMA LEIVA

Still Absence

14;53

Experimental variation

Collaboration Alma Leiva and Adriana Corral

for MacDowell Radio at Art Basel Untitled fair.

2015

Still Absence is an audio-performance that recalls and activates the absence of female victims from San Pedro Sula, Cortes, Honduras and Juarez, Chihuahua, Mexico. The artist’s voice alternate amid one another within a filtered composite of sounds that work as a repressive force toward the very act of remembering.

Premonición 1

Experimental sound

Glass, metal, marbles

2:56 min

2011

Premonición 2

Experimental sound

Glass, metal, marbles

Added sound effects

12: 38 min

2011

OR THE LAST SUPPER

Production at Elsewhere museum.

Embroidery

Production at Elsewhere museum.

ALMA LEIVA

Still Absence

14;53

Experimental variation

Collaboration Alma Leiva and Adriana Corral

for MacDowell Radio at Art Basel Untitled fair.

2015

Production at Elsewhere museum.

Embroidery

Production at Elsewhere museum.

Still Absence

14;53

Experimental variation

Collaboration Alma Leiva and Adriana Corral

for MacDowell Radio at Art Basel Untitled fair.

2015

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